Just saw <i>S. Darko.</i>
For a while there I thought it was on track to win a Clerks 2 award for surprisingly decent sequel to an impossible to follow original... but the way they didn't even bother tying up any of the loose ends, I've got to give this a Babylon A.D. award instead.(Cool movie until the ridiculously unsatisfying ending.) Sometimes I really doubt their commitment to Sparkle Motion.
Seriously, if anyone here can come up with a plausible explanation on how the ending of S. Darko makes any fucking sense, I'll paypal you $200 in gratitude money.
For that matter (and this one might be <i>possible</i>, so I'll size the bounty in a more conservative fashion), if anyone here has a plausible explanation for why the protagonist in Lucky Number Slevin kills that cop towards the end, I'll pay you $50.
I mean seriously, the ending of <i>Slevin</i> was so brilliant except for that one inexplicable detail- I totally get why everyone else had to be killed, but why off that cop?
For a while there I thought it was on track to win a Clerks 2 award for surprisingly decent sequel to an impossible to follow original... but the way they didn't even bother tying up any of the loose ends, I've got to give this a Babylon A.D. award instead.(Cool movie until the ridiculously unsatisfying ending.) Sometimes I really doubt their commitment to Sparkle Motion.
Seriously, if anyone here can come up with a plausible explanation on how the ending of S. Darko makes any fucking sense, I'll paypal you $200 in gratitude money.
For that matter (and this one might be <i>possible</i>, so I'll size the bounty in a more conservative fashion), if anyone here has a plausible explanation for why the protagonist in Lucky Number Slevin kills that cop towards the end, I'll pay you $50.
I mean seriously, the ending of <i>Slevin</i> was so brilliant except for that one inexplicable detail- I totally get why everyone else had to be killed, but why off that cop?

