The song "Amen, Amen" or "Amen (See the Little Baby)," was a key element in "Lilies of the Field". It was sung by Sidney Poitier's character, Homer Smith, and created a bonding experience with a group of German nuns in the Arizona desert. This gospel song has roots in the African American tradition and contributed to the film's exploration of values like justice and solidarity, particularly relevant during the civil rights movement of the 1960s.
Cultural Impact of the Song
The song's impact has been significant, as renditions of "Amen" reached various audiences, including its incorporation into celebrations of "folk Masses" and Catholic worship throughout the years following the film's release. It has provided an energetic tune for congregations, integrating diverse musical styles into Catholic prayer. Furthermore, the song was used by notable artists and during significant events, including a performance by Harry Belafonte at the American Film Institute ceremony honoring Poitier.
Genre: Soul, R&B, Gospel
Notable Chart Performance: No. 1 on Cashbox R&B chart for three weeks
Producer: Johnny Pate
Release Year1964
Songwriter: Jester Hairston
The song "Amen, Amen," featured in the movie "Lilies of the Field," was prominently arranged and composed by Jester Joseph Hairston. Hairston's contributions significantly shaped the version of the song that gained recognition through the film.
1. Composer of "Amen, Amen"
The primary work on the song "Amen, Amen" is attributed to Jester Joseph Hairston, who published the choral arrangement in 1957. This arrangement became the basis for the version of the song featured in the film "Lilies of the Field".
2. Historical Context
While "Amen, Amen" has African American roots and was recognized as a spiritual, its stylistic elements align more with mid-twentieth-century gospel music rather than traditional spirituals. The song was included in various hymnals starting from the 1970s, reflecting its evolution and growing recognition within Christian worship settings.
3. Hairston's Contributions
Jester Hairston, who lived from 1901 to 2000, was not only a composer but also an influential promoter of spirituals and a choral conductor. His arrangement of "Amen" was critical for its cultural and musical significance, particularly as it gained exposure through the film.
4. The Role of the Film
The award-winning film "Lilies of the Field," released in 1963 and inspired by a novel of the same name, played a pivotal role in popularizing the song. In the film, actor Sidney Poitier performs "Amen," but his voice is dubbed by Hairston, who provides the authentic choral rendition. This connection to the film helped solidify the song's place in popular culture.
5. Recognition and Legacy
Post the film's success, "Amen, Amen" became a notable standard within gospel music and sacred repertoire. Hairston’s arrangement remains influential and is often performed in various worship services and cultural events, illustrating the lasting impact of his work on the song's legacy.
Jester Joseph Hairston also had a diverse and impactful acting career that spanned several decades, characterized by his various roles in theater, film, and television. His career in the acting world reflects both his musical talent and his ability to adapt to different performance mediums.
1. Early Career as a Choir Conductor
Hairston's career began as a choir conductor, where he honed his skills in music and performance. His work with choirs on Broadway eventually led to singing and acting parts in plays, films, radio programs, and television shows. This foundation in music significantly influenced his later performances.
2. Foundational Roles in Radio and Television
He gained notable recognition as Leroy on the "Amos 'n' Andy" radio series, where he performed for 15 years. His participation in these early radio programs established his reputation and opened doors for television roles. He later appeared in "The Amos 'n' Andy Show" and played Wildcat on "That's My Mama," further demonstrating his versatility.
3. Film Appearances
Hairston's film career included appearances in over 20 films, often in small or bit parts. He featured in significant movies such as St. Louis Blues, To Kill a Mockingbird, and In the Heat of the Night, contributing to the legacy of early African American performers in Hollywood. His roles in films like The Alamo, where he portrayed Jethro, showcased his ability to handle more substantial characters.
4. Diversification into Television in Later Years
In his later years, Hairston continued to find success on television, appearing in series such as Amen as Rolly Forbes from 1986 to 1991. His final television appearance was in 1993 on "Family Matters," where he showcased his enduring presence in the industry.
5. Legacy and Recognition
Throughout his life, Hairston was celebrated not only for his acting but also for his contributions to music and education. He served as a cultural ambassador, promoting American music worldwide and enriching the communities he encountered. His career, culminating in multiple recognitions including a star on the Hollywood Walk of Fame, highlights the significance of his contributions to both film and television.
In sum, Jester Joseph Hairston's acting career evolved from his early beginnings as a choir conductor to a multifaceted performer in radio, television, and film, firmly establishing him as a key figure in American performing arts.
