Quote from smilingsynic:
If there is some intelligent designer, then why have there been several mass extinctions in which 75% or more (in some cases, much more) of all species have gone extinct?
The most famous mass extinction of all took place 65 million years ago when a celestial object crashed right off the Yucatan, wiping out the dinosaurs and most life; but an even bigger mass extinction took place 250 million years ago, the so-called Permian extinction, which eliminated 90 plus percent of all species.
If there truly is an intelligent designer, how can these mass extinctions (and others) be explained? They make little sense. Why would an intelligent designer have to destroy life and start over again, many times. Wasn't the designer happy with the dinosaurs? What about that fascinating life fossilized up in the Canadian Rockies, in the Burgess Shale?
Any explanations?
It's a good question.
One explanation is that the designer is intelligent, and that it's design functions as designed.
Note that nothing lives but that something else dies. As a rule of thumb, everything devours everything else. Worms live when they devour carcasses. Then the worms themselves are devoured by bacteria. This leaves mulch on the ground from which plants may live. The plants die to support this and that. And the food chain keeps revolving.
So there are these patterns.
This brings the designer's motives into question. Why would a designer set it up this way? Is it the "best" it can come up with given what it has to work with? Is the designer given restrictions, such as entropy that it must work with...or...is it the designer who incorporates entropy into its design?
I concluded that this is not acceptable. And this led to a better understanding of the mind of the designer. As you get further into the mind of the designer, you find a kind of logic, but not much sanity. The designer of this world is not exactly a 'friend', and it's design is not exactly friendly.
The design kills off everything that is designed, and treats some of it's most magnificent designs like disposable razors. The impression is that the designer is toying with a macabre drama. Just when something reaches maturity, bam!, it get's nailed by some intervening circumstance. Disaster is everywhere, and the cycle of rebuilding commences only to be destroyed again.
I concluded the designer was sick...that this design was intentionally unloving. And I undertook to become a healer.
I concluded that there was another creation which was loving and perfect, and that this design was mocking the original creation.
By seeing this design as upside down, opposite and backwards to the original creation, I was able to infer what the original may have been like. And then I got confirmation.
Jesus