I rarely do post so I hope you guys will allow this to be long. If you will bear with me and read it from start to finish, no matter what you believe, it is still interesting.
I came across an article first published in the Wall Street Journal in 1997. It was called "Science Resurrects God." And this is what it said:
...quote...
"...in recent decades, physicists have noticed an astonishing thing about the fundamental laws of nature. The 20 or so parameters they contain, numbers governing the strength of gravity, the ratio of the proton's size to the neutron's, and so on, appear to have been fine-tuned so that, against astronomically unfavorable odds, conscious organisms could emerge. Make gravity the slightest bit weaker, and no galaxies suitable for life would have formed; make it the slightest bit stronger and the cosmos would have collapsed upon itself moments after the big bang."
"The universe," as cosmologist Fred Hoyle once remarked, "looks like a "put-up job." Who but a Divine Designer could have twiddled with these 20 different "control knobs" until they were pointing at precisely the right values for the full array of life ultimately to appear."...unquote...
In the light of mounting evidence, the goddess of reason has been forced to nod her head in the direction of the Creator. Cosmologists today are looking for what some call the "theory of everything," or the "God particle," a theory or formula that will explain the architecture of the universe, because more and more, the numbers are pointing to the existence of God. The universe, it turns out, is not just a big empty space that goes on forever. The numbers prove that it has deliberate design.
Now, you'll notice in the Bible that God uses the language of architecture when He describes how He created the universe. He speaks of "foundations", "lines", and "measures". Even though the language may be for our benefit, it does say something important. It tells us that God just didn't throw things together haphazardly.
Most Big Bangers/Evolutionists believe everything just haphazardly came to be out of randomness, coincidence, or chance but to me this is just not the case. It seems to me that everything points to a carefully thought out plan or "blueprint" shall we say... to keep using architectural language.
You guys are gonna ask, "What do these next couple of paragraphs have to do with the point he's trying to make?", but just bear with me.
At the beginning of the 13th century, a mathematician by the name of Leonardo Pisano studied a problem that had a revolutionary answer. The problem was given to him by a member of the royal family, and it went something like this: "A certain man put a pair of rabbits in a large pen. How many pairs of rabbits can be produced from that pair in a year if every month each pair produces a new pair, which from the second month on becomes productive?"
On paper, Leonardo listed the number of rabbits at the end of each month, and came up with the following numerical sequence: 0, 1, 1, 2, 3, 5, 8, 13, 21, and so on. And what is cool about those numbers is that every number in the sequence was the sum of the two that came before it. One plus one is two, one plus two is three, three plus two is five, and so on.
Right about now is where you're asking, "So what? What does that have to do with God?" Well, more than you might think. As it turns out, Leonardo stumbled across a very important mathematical principle, known as he Fibonacci sequence, or Fibonacci numbers. (Same numbers that are used in the trading world.) And even though it was first used to count rabbits, it just might part of the "blueprints" used to create the universe.
Students of this special sequence of numbers have noticed that each number bears a special relationship to the numbers surrounding it. The ratio of any Fibonacci number to the one before it is roughly 1.618034, and the ratio of any Fibonacci number to the one after it is roughly 0.618034. Again, so what? Well, as it turns out, that's a very special ratio.
It is so special, in fact, that it's called the "golden ratio," and the ancient Greeks based a lot of their art and architecture on it. The length of the Parthenon, for example, is 1.618034 times as long as the width, and the width is 0.618034 times as long as the length. And they designed a lot of their pottery with the same ratio. Now why did they do that?
They did it because they believed that this special ratio was much more pleasing to the human eye than any other ratio. And surprisingly, the very things we still find artistically pleasing today still exhibit that very same ratio.
The face of the Mona Lisa, for example, is built on the golden ratio. It is 1.618 times as long as it is wide. And it's been noticed by some students of music that the stuff we find really beautiful has the same golden ratio, where the first movement is 1.618 times as long as the second one, for example.
So why is it that we find that number so pleasing to the eye and to the ear? Could it be because that ratio most closely resembles the work of the Master Artist? Do we find it beautiful because it mimics creation?
Just consider how often the golden ratio shows up in nature, and I think you'll see what I mean. It turns out that your forearm is approximately 1.618 times as long as your hand.
And each segment in your finger is roughly 1.618 times as long as the next one. And the faces of people we consider to be beautiful have this number show up all over the place. Their mouths are 1.618 times as wide as their noses, and the distance between their pupils is about 1.618 times as wide as their mouths. This happens so frequently that some plastic surgeons have begun using this number to improve people's appearances.
Could it be that the golden ratio is part of the "blueprints" God used during creation?
You know, if you create a spiral based on Fibonacci numbers, where every quarter turn is 1.618 times as far from the center as the previous one, you get what is known as a golden spiral.
And oddly enough, most of the spirals found in nature are golden spirals. The shells of the nautilus and the snail, for example, are shaped in a golden spiral. So are hurricanes, ram's horns, the tails of seahorses, the cochlea of the human ear, whirlpools in the ocean, the seed patterns of sunflowers and pinecones, and the tail of a comet as it winds around the sun.
Not only that, but we have also discovered that the number of spirals in a sunflower or on a pinecone are always numbers from the Fibonacci sequence.
And furthermore, you'll notice that you can find spirals running in two directions on a pinecone, but the number of spirals running in each direction is not equal. Instead, you might have eight spirals running in one direction, and 13 running in the other. But the numbers are always neighbors from the Fibonacci sequence.
The list of golden ratios goes on and on and on. If you create ratios between the lengths of years of neighboring planets in our solar system, they are always made up of Fibonacci numbers.
And so are the arrangements of flower petals and the lengths of DNA molecules. In fact, a strand of DNA is a stack of rectangles all made in the same proportions as the Parthenon and other golden rectangles.
The neighboring leaves of some trees are arranged at 137.5 degrees from each other. That angle, amazingly, enables the highest number of leaves to have exposure to sunlight. But, even more amazing, when you draw that angle inside a circle, you get two pieces that are in the golden ratio to each other. The longest arc is, well, you guessed it, 1.618 times as long as the shortest one.
It just can't be a coincidence. From art and music to nature and science, the golden ratio keeps showing up over and over.
Ther are literally thousands of more examples, but I think I've made the point. The more you research the universe it becomes obvious that somebody designed it. We're not an accident. It's almost as if somebody deliberately used that number as a measuring stick for the cosmos.
Could it be that we are just starting to discover the "blueprints" of the universe? Could it be, when we find ourselves drawn irresistibly to something beautiful, it's because we are subconsciously recognizing the fingerprints of God? And what does that mean for you?
It means that you have a purpose. Somehow, somewhere, you fit into God's design. You are not an accident. You are not the product of mere chance over billions of years.
And to prove it to yourself, just go outside and take a look, because, as Paul says in Romans, chapter one, the more you look at creation, the more you are going to see God and will be without excuse for not believing in Him. RC